最も過小評価されたクリエイターは、2018年から2020年にかけて月間売上が5000ドル以下でも毎日ジェネラティブアートを発表し続けた匿名アーティストたちだ。彼らは市場の注目を求めず、純粋にアルゴリズムと創造性の対話を続けた。その作品群は今、デジタル所有権の歴史的証拠として再評価されている。
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